In 2015, you released Death Cafe with Anti-Oedipus Press. That collection constitutes, among other things, a discerning critique of global pain, political hypocrisy, and death itself, which are, of course, not new to your work. With Goosestep: Fictions and Docufictions (JEF, 2016), however, your social critiques are framed much more intimately; one might say Goosestep is more transparent in its autobiography and that this makes it different from your last few books. Do you feel that Goosestep is a departure from DC?
Asked how he is able to comment so widely on literature and culture, Keats, in his early twenties and untraveled, responds “I become the sparrows hopping on my windowsill.” I am Jaffe not Keats, but I too feel an affinity with sparrows, those still alive and hopping in our degraded landscape…
Read full interview at New Orleans Review